Art All Night Pittsburgh

This year was my first at Art All Night, as a visitor and as a participating artist. I went with a group from Confluence Arts, the new art collective for women. The sounds, the crowds, the art! It was sensory overload in the best way possible. If you’re unfamiliar with Art All Night, it’s a local 22 hour long festival of art that usually takes place in a warehouse. It’s free to enter, and everyone gets one piece in the show, whether you are five years old or 500. Both 2D and 3D art is accepted, and this year they had some installations, which I’m not sure were included in previous years. The whole thing is volunteer run, and they install and take down the show within 24 hours.

In addition to physical artwork, they also had musicians and a film screening. There were improv groups, comics, poets, and other performance art. Live painting was also included. Every painting created during Art All Night is auctioned off the next day to pay for the next Art All Night. This year I submitted my collage, Waterbear Parade, for the show, and live painted. My two hour painting time slot was from 10pm-12am, but I needed a little extra time as my canvas was 2x3ft, and unprimed. Next year, I will bring a blow dryer to hasten the drying time. I will also bring a chair and a lil table to set my supplies, and sign up for a longer time slot: some people painted for eight hours!

I love animals, and I settled on a penguin before the event due to the hockey team. Also, you can pet a penguin at the National Aviary, and that is on my bucket list. I painted this gentlepenguin in the top hat, but the original idea was for it to be raining penguins. When I saw how much time and energy I had left, I realized I needed a new plan. I decided to paint one penguin, but realized he needed a lil sumthin more. The top hat was the answer.

A king penguin wearing a top hat walks among a blue sky with puffy white clouds.

Live painting for Art All Night made me realize how much I miss drawing and painting with acrylic, standing at an easel and dancing to my jams in my headphones. So, I will continue to pursue that joy in other projects like this. Thank you, Art All Night!

LIZZO: Icon and Beacon of Light

I waited to create this blog post because I wanted to really absorb and reflect on my evening at the Lizzo concert.

The entire experience was amazing! From the sheer size of the arena, to the people watching (so much hot pink, sequins, glitter, and pearls! The hair and makeup!), to the opening acts (Sophia Eris! DJ Von! Latto!), to being in the same place as Lizzo and seeing her fantastic performance and wisdom. Being in an arena with thousands of people singing along to lyrics that build people up and create hope was something I will never forget.

At one point, a question on the screen asked us when the last time we said something kind to ourselves was, and someone shouted, “Never!” Lizzo heard that and said that that hurt her heart: “We hear from the world every single day why we’re not good enough, and the last person you need to hear it from is yourself!” She said that the world tries to tear us down for what makes us unique, special, different, beautiful, and if she can be who she is, someone who does not fit the mold of the beauty standard fed to us, then we can also be successful. She said that as she worked towards her dreams, she spoke to herself everyday with love, and that everyday we need to take time to say something kind about ourselves, even it it’s “You’re special! I’m so glad that you’re still with us, broken, but damn you’re still perfect!”

Needless to say, there were many tears during her speech, and throughout her concert. Negative self-talk is one of the biggest detriments to human beings, and when society piles on the negativity and criticism as well, no one wants to put themselves out there, try to achieve big dreams, and live a rich life to the fullest. Society wants us to stay small, physically, mentally, and emotionally. I will no longer be having that. I will speak to myself kindly everyday, and I will pursue my goals with gusto. I will free my mind and body, and go for it.

Dear reader, in the words of Lizzo, “You are beautiful and you can do anything!” I hope that you pursue your dreams as well. Thank goodness that Lizzo exists on this earth right now, because she is so needed. And I will listen to her songs on repeat as I learn to speak kindly to myself, free my body, and crush my goals. To self-love and to Lizzo! Thank you, Lizzo, from the bottom of my heart.

When Things are Worth the Effort, My Holiday Hopes for You, and My Workshop in Collage-Lab's Virtual Retreat!!

Today after a long day, I was moving suitcases out of the way to get to my family’s wrapping paper stash from last year to wrap a present for my mom. There was already a perfectly good roll out on the desk that I could have used. However, the thought of all the packages being wrapped in the same paper just felt blah. It wouldn’t be the joyous cacophony of pattern under the tree. It just wouldn’t be as fun. I decided it was worth it to put forth the extra effort. Suitcases were moved, doors were opened, digging was done, and voilà! More lovely wrapping paper. More fun. Worth it.

I hope that in this holiday season, whether you are near or far from home, you encounter a thing that requires a bit of effort, that delivers some kind of small reward that makes it all worth it. I also hope that you take some deep breaths, take care of yourself, and treat yourself to something a little fun, whether it’s bubblegum or a bubble bath.

Speaking of fun, if you enjoy learning and my collages, you can now sign up for Collage-Lab’s Virtual Mixed Media Collage Retreat, happening the entire month of April 2023! I’m teaching a workshop about creating dreamy unified landscapes with depth and color. You can find out more on Collage-Lab’s website. Early bird pricing is $125 for a whole month of collage fun! I was an attendee last year and I loved it. I hope you can join us!

Happy Holidays!

Image shows the text: Dreamy Landscapes: Creating Unity and Depth with Jen Blalock.  It also features an astronaut in an ocean with fish in the foreground.

Day Jobs and Bringing Back the WPA's Federal Art Project

Hello, dear readers. It’s been a while. I have been working several day jobs until just a few weeks ago, and my blog posts have suffered. I would check into myself to think about what topics to write about, and I came up empty. All of my energy went towards my day jobs and survival, and I did not have much juice left to work on my creative projects. This is why we need to bring back a version of the Federal Art Project from the Works Progress Administration.

Some background: The Federal Art Project from the Works Progress Administration was a Great Depression-era program created by FDR. This program hired artists to create artworks for municipal buildings, hospitals, and schools, as well as theater and arts classes in underserved communities. The precedent of this program was the Mexican government’s support of muralists after the Mexican Revolution. It was seen as a way to build national pride and soothe the country’s psyche, also much needed in America during the Great Depression. Several well-known artists got their start in the WPA: Jackson Pollock, Lee Krasner, Thomas Hart Benton, Dorothea Lange, and Jacob Lawrence, among many others.

A black and white photo showing two women painters seated in front of a mural of various birds.

WPA artists Helen Forbes and Dorothy Puccinelli in front of their mural for the San Francisco Zoo. (Photo from The Living New Deal.)

There were only two caveats to working in the program: no nudes and nothing overtly political. There were no requirements in style or ability. Artists were given studio spaces, materials, and a living wage. Roosevelt saw the arts as a true marker of democracy, where citizens could express themselves freely in any creative form. He wanted to bring culture and beauty to the average person, and change the perception of art as a luxury. He also believed it was the duty of the government to serve its citizens and lift them up. How revolutionary is that?

Imagine what the world would be like if artists and other creatives were able to create their work without financial insecurity, and the arts were valued as a necessary balm for trying times. What if the best parts of history were repeated and improved, in order to keep moving society forward? Imagine the places we would go!

A Visit to the National Museum of Women in the Arts in DC: Photography, Plus the Sonya Clark Exhibition

A few months ago I had the opportunity to finally visit the National Museum of Women in the Arts in Washington, DC and it was an absolute pleasure. The museum itself was gorgeous and easy to navigate. I spent a little over two hours there and the roster of artists exhibited included almost every rock star of women artists that you would want to see, as well as new-to-me artists that I want to know more about. Rock stars include: The Guerilla Girls, Lavinia Fontana, Mary Cassatt, Amy Sherald, Cindy Sherman, Niki de Saint-Phalle, Marina Abramovic’, Clara Peeters, Judith Leyster, and Sonya Clark! New-to-me artists included photographer Ruth Orkin, painter Marie Danforth Page, sculptor Patricia Piccinini, painter Hollis Sigler, painter Remedios Varo, photographer Sharon Lockhart, and photographer Mary Ellen Mark.

I was extremely impressed with the emphasis on photographers, but of course, women have been taking photography to the next level since its earliest beginnings by Sarah Anne Bright, Anne Atkins, Julia Margaret Cameron, and beyond. Mary Ellen Mark was included in a special photography exhibit about Girlhood that included various photos of girls in action throughout her travels. My favorite piece was “Batman and Little Barbies at the Toys ‘R’ Us Holiday Parade, New York, 2002”. The exhibit will be up until August 8, 2021, when the museum will be closed due to renovations. If you are a fan of photography, this museum’s collection of significant photography is a joy to behold.

The main temporary exhibit was Sonya Clark’s “Tatter Bristle Mend” and it sadly closed on June 27. Sonya Clark is a textile artist with a social practice that weaves Black history and culture back into world history. It was informative and eye-opening to understand the connections between money, sugar, cotton, hair, racism, the slave trade, and modern day society. Ms. Clark treats hairdressing as a foundation for fiber art and as an expression of the politics around race and gender. She holds a mirror to American democracy and points to the oppression of people formerly treated as commodities and Other Than. Yet, the African Diaspora persists and flourishes. Her work appears so simply presented, but the narratives that unfold from further study and information contain multitudes. My favorite pieces were the ones that encrusted $5 bills in sugar (“Sugar preserves, but it also rots. Lincoln abolished slavery in the USA. What remains of the institution is sugar coated.”—Ms. Clark) and put the perspective of what the artist herself would have cost at the height of the slave trade in modern day currency. The latter piece was a stack of blank bills made from sugarcane pulp with the price $36,683 printed on the paper band around them. That would have been the cost of an actual person if it were in 2016 money.

I felt those pieces because they make greed concrete. People sold people, hurt them, profited off of their labor into the billions of dollars in today’s currency, and fought to keep their rights to do so because of money. The mastery with which Ms. Clark drew parallels between the slave trade and the rot of modern-day systemic racism was incredibly compelling, and I look forward to seeing more of her work in major museums across the globe. She deserves the recognition, and the world needs her to further educate and bring into perspective how much the slave trade of the 16th-19th centuries continues to affect the globe to this day. I love the three words that make up the title of the exhibition, “Tatter Bristle Mend.” It describes how history and society as a whole must unravel and be built up stronger and anew. It’s pragmatic and hopeful.

I look forward to visiting the National Museum of Women in the Arts in DC again! I can’t wait to see what else they have in store. I won’t be able to make it before the renovations start on August 9, but if you’re in the area, please go. Just be aware that their store and library are currently closed to the public. You can plan your trip by visiting their website here. Until next time, dear readers, have a wonderful week.

A Visit to Artechouse in Washington, DC

Recently I had an eight hour layover on a train trip from North Carolina to Pittsburgh, so I decided to use the opportunity to visit some places that I’ve been wanting to go but haven’t had the chance.

My first stop was Artechouse, an interactive art venue that focuses on merging art and technology. The exhibit that I saw was called Renewal 2021, their 4th Annual Cherry Blossom Inspired Installation. Visual Design for the exhibit was by Yuya Takeda, music was by Mario Hammer and the Lonely Robot, and the scenery was by Design Foundry.

There was a short video before entering the exhibit space that explained the exhibit and their policies, then I was free to explore as I pleased.

The main room was an interactive video and sound installation that changed as I moved along the walls. The projections on each wall featured a city 100 years into the future that was covered in garbage, but cherry blossoms as well. When I got close to the walls in the sequence depicting the city, blossoms and piles of garbage flurried around me as I waved my arms and moved about the room. That sequence featured how the world might look in the future: covered in garbage, but with bits of nature waiting to reclaim it. Another sequence was a beautiful meadow, with more blossoms flurrying around me as moved, inspiring hope that we can change our future and make the Earth a healthier place.

In a hallway adjacent to the main room was a futuristic arcade that featured games, vending machines, and stalls selling various wares. There was a long room off of this hallway that mimicked a cat walk above the city with an interactive screen at the end that highlighted my silhouette in fizzy neon pink that scattered into little dots around me.

On the way back from the catwalk was a hallway featuring graffiti from an artist I can’t remember now and could kick myself for not taking a picture of the information plaque. It was like Graffiti Wall 2121 and the part that stuck out to me most was the lettering that said, “Do What You Want to Do.” And I felt that.

In summary, Artechouse is definitely worth a visit if you like being immersed in environments that make you think and make you a part of the work itself. It’s cool that the projections followed me as I moved and the whole thing was eye candy to the max, but it’s also cool that the work is symbolically saying that I am a powerful individual, and I can influence the future now. Right now. And with people like me and you taking care of the planet, the future isn’t bleak. It’s full of promise and possibilities.

Adventures in Pittsburgh: Contemporary Craft and the Swoon Exhibition

Hello, friends! I hope all is well and that everyone is staying warm and dry wherever you happen to live. It is currently gently raining here, but on the particular day I was able to visit Contemporary Craft for the gorgeous Swoon/Caledonia Curry exhibition, The Heart Lives Through the Hands, it was a lovely sunny day.

I first fell in love with Swoon’s (Caledonia Curry’s artist name) work when I started to learn more about street art as I was researching it for a project for my students. Her work as a street artist consisted of life size portrait linocut or woodblock prints that were adhered to surfaces with wheat paste (which I still have not done with my own work and am thoroughly kicking myself right now). She continues to make life size portraits that are interwoven with imagery related to plant growth, anatomy, and interconnectivity. Her work is socially conscious as her influences Kaethe Kollwitz and Honore Daumier were. As we are all interconnected with the earth and universe, so are we connected through our actions as social beings, whether as a business owner who owns several steel mills, or as a steel worker who labors in those mills and supports their family. As the beautifully printed program states, “To regenerate our communities, to preserve and regenerate our ecosystems, we need to change how we think about everything. Portraiture may seem like an unlikely place to start. But Curry’s portraits point to healing, and the need to go through what is necessary to face a future that isn’t rosy, or even guaranteed.” (Katie Peyton Hofstadter wrote the program for the exhibit.)

Pittsburgh is considered a Rust Belt city, as its population has declined since the steel industry moved abroad. One of Swoon/Curry’s pieces, Braddock Steel, was inspired by a documentary called Struggles in Steel, which focuses on African-American steel workers and the racism they experience. One of the subjects of the film, Henderson Thomas, is the subject of the piece, with his arm draped around the piping of a steel factory montage, other workers performing their job duties in vignette below him. As Hofstadter writes, the concern here is that capitalism and its devotees, do not care about the workers they exploit or the environments they leave behind when they relocate to more profitable locales. While portraiture does not solve this problem, it does humanize the issue, and provide a glimpse of the member of the team we’re on, and the people we can stand up with. And Curry does that with her community engagement through her foundation, Heliotrope.

Curry was invited to Braddock, PA, an old steel town near Pittsburgh (connected to Pittsburgh?), by then-mayor John Fetterman (now Lt. Gov, go JF!) to do something with an abandoned church that had been damaged by fire. She acquired it and, long story short, over the course of ten years, Curry’s Swoon Studio worked with art collective Transformazium, Braddock Youth Project, and Braddock Tiles to provide job skills to community youth in making tiles for the church’s roof. While the roof was never completed, the catalyst of art sparked a sense of community and relationships that were vital to the success of many of the young adults they worked with. The tiles they made are on display in the show, as well as an explanation of the project. As Curry said in an interview quoted in the program, “I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.” And that she did with Braddock Tiles, and the city of Braddock. Her work hangs in the local Carnegie Library and the Community Center, which I am going to try to see.

So, that’s the back story. Don’t you want to see the show? Street artist/kickass artist in general/community activator/helper? She’s doing wonderful things and her artwork is equally beautiful, all worthy of spending time with. There are 15 pieces in the show, most hung on the walls, but two towering over us all in the middle of the gallery floor. I won’t describe them because I don’t want to tell you what to expect, but my favorites were the ones that spoke energetic life and quiet joy, with touches of color acting as highlights, and biomorphic forms interacting with geometric ones. It’s definitely worth the visit to Contemporary Craft.

To visit Contemporary Craft, they are at a new location in the Upper Lawrenceville neighborhood on the corner of 57th and Butler Street. There are two differently abled parking spots in the front of the gallery, but more ample street parking is available on 57th Street by the playground. Admission is FREE, my lovelies! For COVID reasons, however, you need to reserve a timed ticket and wear a mask. Contemporary Craft has some great shows. I first discovered them when I initially moved to PA five years ago, at a show that featured artists and crafters who had been touched by mental health issues. Swoon/Curry also had a piece in that show, which was a marvelous surprise. They are a museum that focuses on bringing contemporary craft to the public, engaging the community, supporting artists, representing all the perspectives, and “filling in critical gaps in public education.” There is a lil studio space for the kiddos as well, because families welcome:) You can find out more about visiting Contemporary Craft here.

My next adventure in Pittsburgh will be virtual: Vanessa German’s one-woman show, hypersensitive, featured by the Pittsburgh Playwright Theatre Company. You may recall I was able to see Vanessa German’s artist talk when she came to speak at IUP when I was in grad school and she blew my mind. She opened with a monologue performance that was amazing, then proceed to amaze further with her talk. I cried. She is also socially conscious and spreads her message of love in her community by placing I love you signs throughout her neighborhood encouraging people not to shoot each other. I am very excited to see it, and if you would like to purchase tickets ($25) for her virtual performance, you can visit here. I am telling you, it. will. be. worth. it.

That is all my friends. I hope you have a wonderful weekend, and stay safe.

A Little Progress Each Day Adds to Big Results/Find Your Artistic Voice by Lisa Congden book review

Hello, all!

Back for my monthly (loose term) update. The title for today’s post came from an image one of my best friends sent to me. I made it the wallpaper on my phone because it really is those little things that build up to something amazing, which is why someone seems like an overnight success, but their success was really a decade or more in the making. For example, artist of many hats Lisa Congdon.

I have been doing little things here and there to educate myself about my craft and my field, as well as continuing to make and experiment. One of these things was going to a lecture by Lisa Congdon which was about her book Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic. The talk was wonderful, she signed my book (!), and I finally accepted two important pieces of advice.

For YEARS, I have struggled with working consistently and dedicating a time each day to making something. I like to experiment and work for eight hour stints when I can dedicate a day to it. As Lisa said, even just making something for 15 minutes each weekday keeps your artistic muscle nimble and flexible. One artist friend of hers wakes up at 5 am each day to hone her craft, which she did admit was hard at first, but then she started to look forward to having that time for her passion everyday. My goal is not to wake up at 5am everyday because that just makes me laugh about how ridiculous that would be for me, but being mindful about how I spend my day and being as productive as possible? I can do that. Lisa also said to not only schedule in your art making time, but also the other aspects of an artist’s life, from researching packaging for your art prints, to writing a grant, or to documenting your work. I was like, yasss, Lisa, those are all vital things that need my attention! So, creating blocks of time for the making of things that you need to make, that you want to make, that you would like to learn more about, are essential to being productive as an artist. And are essential to self-care.

The other takeaway from her book that also sunk in was creating bodies of work around a central theme or giving yourself an experimentation assignment to explore. One of hers was creating something using only the color blue everyday. Another artist friend of hers created a different character everyday. I haven’t decided on my experimentation assignment yet, but I am leaning towards her blue idea because the examples she showed us from that body of work were so beautiful. Maybe I should create a blue character everyday? I would like to get away from using reference images and just draw the things I like in order to develop my own visual language. And there it is. My assignment for myself. Thank you, gang! And see you next time!

The Mint Museum Permanent Collection (Charlotte, NC)

As promised, a review of the permanent collection at the Mint Museum in Charlotte, NC:

I would describe the permanent collection that was on display as carefully procured, eclectic, Surreal, and inclusive.

I went to the modern and contemporary art side first, as I was under a time constraint, and where they had a sculpture in deep purple (Night Wing, c. 1972-78) from Anne Truitt, whose Daybook I would strongly recommend. I’ve read her Daybook, but had never seen her work in person, so catching it at the Mint was a surprise treasure. :)

Cristina Toro, who was also featured in the collage exhibition, had a painting, Without Exception Everything is Reflected in this Mirror, 2015-2016, which is the coolest self portrait I have ever seen, and she is definitely someone to follow, as her work is a visual delight, overflowing with detail, texture, color, and life.

There were also works from Andy Warhol: one of his Marilyn Monroe screenprints. There was also a hand-pulled acrylic and enamel screen print of Nina Simone with diamond dust on linen by Russel Young—which I mistakenly attributed to Andy Warhol in an earlier draft of this post. I took a Boomerang of the print and will be posting it in my Instagram stories for a Flashback Friday. There was also Ed Ruscha, Norman Rockwell, and Ansel Adams, as well as funky surreal works by Harold Lehman and James Guy, a quaint landscape by Constance Richardson, American art from the 30s-50s featuring factory towns and leisure activities, and a through-three-different-doorways portrait of studio and family life by John Wilde, an influencer on American Surrealism.

A favorite subject matter of mine in the work of female artists is that of the transcendent, mysterious, and surreal. Surrealism is one of my favorite genres anyway, but the quiet, spiritual, and enigmatic scenes in work like Gertrude Abercrombie’s Deportation (1948) is as special a find as Anne Truitt’s Night Wing (c. 1972-78). There were also works by Post-Surrealist painter Helen Lundeberg, Poetic Justice (1945), and Surrealist painter Kay Sage’s Ring of Iron, Ring of Wool (1947), all beautiful, dreamy, haunting, and treasures to behold. The work of the 1930s-1940s are way underrated in my opinion, so to see it collected so carefully and lovingly by museums like the Mint is refreshing. I should really go on a personal quest to find as much art from the 1930s and 40s that I can. The 30s gave us Surrealism, factories, daily life, and an explosion of female artists, so it should definitely get more attention. Now on to Romare Bearden.

Romare Bearden’s watercolor work is deeply saturated with color and features city scenes from his life. Screenprints like Salome (1974) depict Biblical scenes with rich texture and pattern. The coolest works by Bearden were his collagraphs of city life featuring buildings, musicians, and other life. Now that I’m looking at them again, I need to do some collagraphs, stat. So freaking cool. Definitely unique and worth checking out.

So to wrap things up, the Mint Museum’s permanent collection is thoughtful, unusual, and worth the trip. I also saw a bathing suit from the early 20th century, which would apparently be worn with full-length dark cotton stockings. What a bummer to have to wear! So thankful society has changed for the better in what qualifies as swimwear, and so thankful to see so many unique pieces in the Mint’s collection. It was refreshing and rejuvenating, and I strongly recommend a visit. :)

Fall in NYC

Last weekend my three friends and I took a lil road trip to NYC.  It is impossible to put NYC into words.  There is so much to see and do.  So much culture!  So much humanity and time spent on the subway!  So many personalities weaving in and around each other every day!  In other words, New York City is special.

We were trying to go to the galleries in Chelsea and got off on the 23rd St stop, but it ended up being in Long Island City next to the MoMA PS1.  So we went there.  Carolee Schneemann was one of the artists featured, as well as video from the underground art scene of the 60s and 70s.  Cathy Wilkes  was also on view, but her work didn't resonate with me the way Carolee Schneemann's did.  Schneemann began as a painter in an Abstract Expressionist, male-dominated field.  Apparently it was suggested to her that she become a nude model instead of a painter.  Thankfully she rejected that notion, but did use her body to express the power of a free woman.  I saw work that I had only read about: photo documentation of The Interior Scroll,, a performance in which Schneemann pulls a scroll from her vagina and reads it aloud as she unrolls it. Meat Joy, in which scantily clad men and women sensually play with each other's bodies and a variety of raw meat.  I could not hear the Motown soundtrack that was supposed to be playing during the performance, so I was disappointed that I did not get the full effect of the piece.  But Schneemann was a pioneer of performance art, of feminist art, and of the requirement of artists to break down social taboos.  She worked with a variety of processes, from performance to collage to video.  It's definitely worth a trip to see her work before it comes down March 11, 2018.  

At the original MoMA, Louise Bourgeois's prints were on display, along with a few of her sculptures.  As I had only seen her spiders in Washington, D.C. and Bentonville, AR, I did not realize that she had worked in prints and art books.  Or that she was the one responsible for drawing a woman as half a house.  Her interest and application of architecture to her prints were so unique, and I also did not know that she was into feminist art and what it means to have a female body, from daughter to mother and back again.  Her screenprints were the most exciting to me, especially in the fabric artist books that were on display.

For our evening entertainment, we went to the comedy clubs The Grisly Pear and The Comedy Cellar, both great fun!  If you don't have tickets for the Comedy Cellar and show up around show time, you might still get in if you're lucky!  It's worth a try!  If you check out their website, they save a few seats for showtime in order to not oversell the seats.  We were able to get in to the 12:15 show.  So if you're in NYC and looking for a good laugh, it's worth it to check out the Comedy Cellar and The Grisly Pear.  :)

Greetings from Summertime: Road trips and Crystal Bridges

Hallo, friends!  It has been a while and I do apologize for lack of blog updates, but this one will be a twofer: a rocking road trip playlist and a review of the Crystal Bridges Museum of American Art Chihuly exhibit.  

This summer I have driven back and forth between Pennsylvania and North Carolina five times, between North Carolina and Arkansas twice, and between Arkansas and Kansas City, MO twice.  So you can imagine all the tunes I have listened to while enjoying all that open road and drive time.  When driving by yourself for several hours at a time, jams are of the utmost importance, in addition to podcasts and audiobooks.  When my mom and I travel together, we listen to the series of books by the veterinarian James Herriot.  He was a vet during the 1930s and beyond in the UK, and his word selection, heart, and humor are a delight to listen to.  If you like animals and laughing out loud, try All Creatures Great and Small, his first book.

As for podcasts, I have enjoyed the interviews of You Made It Weird with Pete Holmes and The Moth's stories, but I have recently discovered My Dad Wrote a Porno.  It is full of funny and explicitly sexy things.  Give it a listen and let me know what you think. :)

And as for rocking out, please enjoy the following:

1. Tom Sawyer-Rush
2. My Sharona-The Knack
3. Shut Up And Dance-Walk the Moon
4. Alright-John Legend
5. Sweet Dreams (Are Made of This)-Eurythmics
6. Open Road Song-Eve 6
7. Bitch Better Have My Money-Rihanna
8. Sabotage-Beastie Boys
9. Seven Nation Army-The White Stripes
10. Your Love-The Outfield
11. Take Me Away-FeFe Dobson
12. Breathing-Yellowcard
13. Intergalactic-Beastie Boys
14. Take It Off-The Donnas
15. Heartbreaker-Pat Benatar
 

Sure, some of it is not technically rock, but rocking is more about attitude than genre. :)

Now on to the Crystal Bridges Chihuly Exhibit: it was awesome!  The variety of forms, the colors, the light, the organization of the show, everything was perfection.  In addition to his glasswork, there were also drawings and paintings essential to Chihuly's process.  There were also three short films on view to help the viewer gain insight into how much he pushes the material to its limits and how collaborative his studio is.  There are also installations outdoors that show how much Chihuly has extended the boundaries of glasswork.  I recommend going around sunset to see the glow of light and color in the glass.  Also, it will be somewhat cooler.  Arkansas is HOT in the summer, so wear something light and breathable.  I wasn't able to see much of the Crystal Bridges permanent collection, but what I did see was varied, contemporary, and important to the history of art.  If you are in the Mid-South or near it, Crystal Bridges is worth a trip for any art lover.  Admission to the main museum is free thanks to WalMart, and the Chihuly exhibit is about $20.

Enjoy the road, the summer, and wherever you may travel!

Vanessa German Artist Talk Performance

On Thursday, February 23, Vanessa German came to IUP to give an artist talk about her life and work as an artist.  I call it a performance as well because it was: she performed a powerful, hopeful poem to begin the talk.  It included lines like, "Jesus is the Miles to the Davis," "Everyone was made to dance," and "You are infinitely more amazing than anything you could buy in a store.  You are dope."  She went on to say that she hopes for a day when people would only be killed in battle on stage.

She asked us if we believed in the power of love, and most everyone raised their hands.  A fellow artist described love as discovering something that no one else has before, to which Vanessa said that's right and "If it's regular and ordinary, leave it."  She asked more questions like, "What can I generate?  Why did my lungs take me to this place?"  She felt when she was growing up that any idea she had was sacred, and that her ideas were as close to God as she could get.  She grew up in one of the most violent neighborhoods in Los Angeles, and believed that she would die young, so she decided that she would do whatever she wanted to do.  She said, "I knew from a very young age how to take a thing seriously," because she went to a performing arts high school with Leonardo DiCaprio and Richard Pryor's children.  She saw her classmates as professionals because she could see the work they were doing on TV.  

She calls art "misery resistance" and says it is everything that we do.  She considers herself a "citizen artist" who inhabits humanity, and she asked another question: "Who would you be as a human if no one ever oppressed you?  If no one ever put the lid on you?"  She teaches the children she works with at her Art House to "Make a decision" when working on their artwork.  She has created change for the good in many lives, and she promotes love through signs that say, "Stop Shooting--We Love You."  Some people think that the signs don't make a difference. But there are many more who do.  

Vanessa shares love and the joy of creating with her community, which she believes will be the next revolutionary leader.  She is powerful as an individual, but by building a community around love and creation, her and its power are limitless.  She said that liberty is the soul's right to breathe, beauty is a force of disruption, and that there is power in joy, and everyone deserves that.  Love is her strategy, and our citizenry, including our children, need it.  One of the children she works with asked how she makes art when she is sad, and she said, "I think the sad thought and let my hand move with color."  She also said that transforming a blank thing can transform your state of mind and to trust your instinct.

If you are anywhere near Pittsburgh or beyond and have an opportunity to see Vanessa's work, go see it!  If you have a chance to see her talk, DEFINITELY go see her!  If you have an opportunity to create something, DO IT!  MAKE A DECISION!

She ended the talk with some words that I will leave you with:

us mighty

us fly

us powerful

us brave

us love

An Awesome Weekend in Charleston

This past weekend I was finally able to visit Charleston and see if it really is worthy of its rivalry with Savannah.  I have decided that it is.  However, I cannot decide if one really is better than the other.  I think they are both equal members of the Best Cities to Visit group.  I went with my friend Kendall, who is also artsy and travel minded.

We met in Charleston at our hotel, the Motel 6.  It was the cheapest place to stay and it was about 15-20 minutes away from everything, so it wasn't too shabby.  Everything was easily accessible via the highway.  Bay Street Biergarten (baystreetbiergarten.com)  was our first stop for dinner and drinks.  We both got spaetzle with parmesan cream sauce, sauteed onions and mushrooms, and slices of fried pork belly adorning the top.  It was goooooood, especially with a nice Hefeweizen to accompany it.  From there we went to the Faculty Lounge, a dive bar/dance club.  We both got a drink with rum in it, and boy was there rum.  We chatted and drank and people watched, but no one was on the dance floor.  We did leave a little early, around midnight, so that could account for no one dancing, but oh well.  It was a good drink and a nice atmosphere; the bartenders were both super nice.  

On Saturday morning we got up early for breakfast at IHOP and a tour of the harbor followed by a horse-drawn carriage tour.  Charleston Harbor Tours and Palmetto Carriage Works were the providers (charlestonharbortours.com, check out combo tours).  Each tour was great.  The harbor tour is a little fuzzy because I was sleepy, but I enjoyed learning about the history of Charleston from a nautical perspective.  We left the car at the harbor and walked to Palmetto Carriage Works, where we checked in for the 12:30 tour.  Everything was in walking distance so we walked through the City Market (thecharlestoncitymarket.com) and by the time we saw everything it was time to go back to check in for the carriage ride.  

The carriage ride was also enjoyable, our tour guide/driver was very knowledgeable and friendly.  I wish I could remember his name!  We drove by the harbor, through the French Quarter, down Rainbow Row, past many historical houses, and the city market, for an hour.  Lots and lots of history that is all a blur to me now, but was really entertaining when we were on the tour.  Also, while it was really hot in Charleston, the carriage ride was actually pretty cool due to the roof on our carriage and the famous winds and breezes that made walking around a little more tolerable in the heat.  It was time for lunch, so we went to a crab place that was near the city market.  I wish I could remember the name of it!  I'm kicking myself for not checking in there.  Anyway, I had a delicious shrimp po'boy, Kendall had a crab cake sandwich, and we had fried green tomatoes to start.  Everything was great.  The shrimp was fantastic.  Charleston is the place to get shrimp!

After lunch, we walked back through the French Quarter to check out as many art galleries as possible.  I noticed that much of the artwork could fall into these categories: landscape, seascape/nautical theme, still life, non-objective, realism, and people.  Most of these galleries were like the ones that you would find anywhere, with nothing really new and unique.  The last gallery we were able to go to had some interesting contemporary genre paintings that were priced at about $13,000-$15,000 dollars.  The pricing for some of the work I saw was crazy and eye-opening: there's no rhyme or reason to how artwork is priced!  By the time we visited our last gallery it was 5pm, and apparently many things shut down at 5pm on Saturdays in Charleston, which surprised us.  We weren't able to visit Robert Lange Studios or the Halsey Institute for Contemporary Art, so possibly more cutting edge stuff would have been found there.  

On our way to find some pralines for my mom, a girl stopped us to offer us samples of Italian ice, which we ended up buying, and thank goodness because it was hot!  When we walked into River Street Sweets (riverstreetsweets.com) they gave us warm samples of pralines that you could just taste the butter in.  I bought a pound and they threw in another half pound.  They are the same company that sells pralines along River Street in Savannah, but we thought the Charleston ones tasted better.   

We went back to the hotel room to regroup before going to see an improv show at Theater 99 (theatre99.com), but when we called about their ticketing procedures we found out they were sold out for that evening's show.  Bummer!  However, one of the gallery owners had told us about Boxcar Betty's and the Early Bird Diner, so we decided to head to Boxcar Betty's (boxcarbetty.com) for dinner.  We each got a different sandwich so we could split them and share, plus an order each of fried pickled green tomatoes and fried pickles.  The sandwich that I got was called the Chicken and Not So Waffle.  It had Pimiento Cheese, Bacon Jam, Tomato, Maple Bacon Sauce, and Maple Syrup on it.  Kendall got the Boxcar, which had Pimiento Cheese, Peach Slaw, Spicy Mayo, and Housemade Pickles.  We both decided the Chicken and Not So Waffle was the best.  By this time, we found out the night tour about the shady history of Charleston was also sold out, so we decided to go see "Inside Out" at a local movie theater.  

The next day, we went to the Early Bird Diner for breakfast (earlybirddiner.com).  There was a slight wait, but it was totally worth it.  I got the shrimp and grits and Kendall got a mess of something delicious.  We each got a biscuit with our meals and they were also deelish.  Afterwards, we went to Folly Beach (follybeach.com).  It was by far the best beach experience I have ever had.  There wasn't much public parking; everyone just parked along the street.  We parked a few blocks away and walked to the beach.  It was HOT!  Kendall and I agreed later that Portugal wasn't even as hot when we visited there in July/August 2008.  We rented some chairs and an umbrella close to the water's edge and just basked in the state of being at the beach.  We sat for hours just enjoying the State of Being.  When we finally got into the water it was perfect: tepid, with gentle waves.  The bottom was nice and sandy and shallow.  We would have had to go pretty far out to be in waist deep water.  We swam for a bit, then just sat in the surf and chatted.  It was so lovely.  We had to get out of the water when the lifeguard said there was lightning in the area, so we took that as our cue to go home.  Folly Beach has now topped Oak Island as My Favorite Beach.

All in all, an Awesome Weekend in Charleston!  :D  

Visual Smorgasbord in Washington DC, Chicago, and Rapid City, SD

Three weeks ago I took the train from Fayetteville, NC to Omaha, NE, then took a car to Rapid City, SD.  I had two seven hour layovers in Washington DC and one four hour layover in Chicago, so I used my time to visit some area museums and galleries.

Washington DC

On my first layover in Washington DC, I visited the National Gallery of Art and attended two tours, one on the choices artists make and what they mean, and one on 19th century painting.  I saw my favorite Monet painting there!  -->Madame Monet and Her Son, 1875. <--  The tour regarding artist choice was not as fruitful as I had hoped, but I thoroughly enjoyed the tour through 19th century painting.  The National Gallery has a lovely collection of Impressionists and Post-Impressionists, as well as Modern Art.  While visiting the East Building, I ran into Modern artists such as Matisse, Picasso, and Mondrian, as well as Ernst Kirchner (I enjoyed his brushwork and color), Sol LeWitt, Jasper Johns, and Alexander Calder.

On my second layover in Washington DC, I went to the Smithsonian National Portrait Gallery, which was a bit on the dry side.  I might have been tired since it was the last leg of my journey, but it didn't hold many gems for me other than its large collection of folk art and WPA paintings.  I was enchanted by the WPA paintings for their slice-of-American-life imagery, heavy, sensuous forms, and wonderful use of color.  The folk art had quite a bit of religious imagery which surprised me, but lent a new perspective on imagery from Revelations and the Crucifixion, as well as the Throne of God.  

Chicago

On my first layover in Chicago, I had a chance to visit the Museum of Contemporary Art.  They had a significant exhibition of Alexander Calder's work, which was a delight, and a large retrospective exhibition of the work of Doris Salcedo, whose work I had never seen before.  She creates sculptures and installations addressing the feeling of loss due to violence.  Her work was highly symbolic and abstract, and a great catalyst for thinking about my own beliefs about art and the use of personal symbols.

Rapid City

While in Rapid City, I created a small mural in their Art Alley, which is an alleyway that is open to taggers and street artists to use as their personal canvas.  Justin and I painted a bunny giving a peace sign and a giant panda saying I love you in sign language.  I signed it with my instagram handle and got a follower!  She took a picture of the work and created her own version of it with emojis!  So cool!  :)

I also visited the Dahl Arts Center in downtown Rapid City.  They featured an exhibition that had the creme de la creme of South Dakota artists.  There was some incredible variety among the works there.  I was impressed and I got some great inspiration for painting and printmaking.  An artist separate from the South Dakota artists exhibition that they featured was poster artist Jay Ryan (thebirdmachine.com).  His imagery, colors, and printing process were also inspirational. Imma hafta go look up some videos on YouTube and see if there are any videos on his processes.  

It was a wonderful trip that was artistically and spiritually refreshing.  Not only did I get to see Justin, but I also got to see some wonderful artwork to inspire and reflect upon as I start to seriously create my own work for my MFA.  

4th Annual National Two-Dimensional Competition Art Exhibition, Armstrong Fine Arts Gallery, Savannah GA

Last Friday was the gallery reception of the 4th Annual National 2D Competition Art Exhibition at the Armstrong Fine Arts Gallery in Savannah, GA.  The reception took place on Armstrong State University's campus in their gallery.  It was a wonderful little venue, and everyone was very welcoming.  Upon entering the building I met Tom Cato, Department Head of Art, Music, and Theater, and Mario Incorvaia, Arts Marketing Director.  They in turn introduced me to Pang-Chieh Hsu, Gallery Director.  Mr. Hsu was a lovely host, introducing me to all the participating artists who were able to attend the reception, Britney Prince being one of them, among others I can't remember right now. :/  She had a Norman Rockwell-esque digital painting in the show that addressed gay rights.   The work in the show was extremely diverse, ranging from ethereal photographs to modern Western paintings to vinyl floor motifs.  

I had a nice surprise when I saw the bulletin board across from the gallery: the Savannah Morning News used my artwork for their cover story for the show!  I also found out that my work was an Honorable Mention for being included in the show.  I felt very successful indeed. :)