Adventures in Pittsburgh: Contemporary Craft and the Swoon Exhibition

Hello, friends! I hope all is well and that everyone is staying warm and dry wherever you happen to live. It is currently gently raining here, but on the particular day I was able to visit Contemporary Craft for the gorgeous Swoon/Caledonia Curry exhibition, The Heart Lives Through the Hands, it was a lovely sunny day.

I first fell in love with Swoon’s (Caledonia Curry’s artist name) work when I started to learn more about street art as I was researching it for a project for my students. Her work as a street artist consisted of life size portrait linocut or woodblock prints that were adhered to surfaces with wheat paste (which I still have not done with my own work and am thoroughly kicking myself right now). She continues to make life size portraits that are interwoven with imagery related to plant growth, anatomy, and interconnectivity. Her work is socially conscious as her influences Kaethe Kollwitz and Honore Daumier were. As we are all interconnected with the earth and universe, so are we connected through our actions as social beings, whether as a business owner who owns several steel mills, or as a steel worker who labors in those mills and supports their family. As the beautifully printed program states, “To regenerate our communities, to preserve and regenerate our ecosystems, we need to change how we think about everything. Portraiture may seem like an unlikely place to start. But Curry’s portraits point to healing, and the need to go through what is necessary to face a future that isn’t rosy, or even guaranteed.” (Katie Peyton Hofstadter wrote the program for the exhibit.)

Pittsburgh is considered a Rust Belt city, as its population has declined since the steel industry moved abroad. One of Swoon/Curry’s pieces, Braddock Steel, was inspired by a documentary called Struggles in Steel, which focuses on African-American steel workers and the racism they experience. One of the subjects of the film, Henderson Thomas, is the subject of the piece, with his arm draped around the piping of a steel factory montage, other workers performing their job duties in vignette below him. As Hofstadter writes, the concern here is that capitalism and its devotees, do not care about the workers they exploit or the environments they leave behind when they relocate to more profitable locales. While portraiture does not solve this problem, it does humanize the issue, and provide a glimpse of the member of the team we’re on, and the people we can stand up with. And Curry does that with her community engagement through her foundation, Heliotrope.

Curry was invited to Braddock, PA, an old steel town near Pittsburgh (connected to Pittsburgh?), by then-mayor John Fetterman (now Lt. Gov, go JF!) to do something with an abandoned church that had been damaged by fire. She acquired it and, long story short, over the course of ten years, Curry’s Swoon Studio worked with art collective Transformazium, Braddock Youth Project, and Braddock Tiles to provide job skills to community youth in making tiles for the church’s roof. While the roof was never completed, the catalyst of art sparked a sense of community and relationships that were vital to the success of many of the young adults they worked with. The tiles they made are on display in the show, as well as an explanation of the project. As Curry said in an interview quoted in the program, “I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.” And that she did with Braddock Tiles, and the city of Braddock. Her work hangs in the local Carnegie Library and the Community Center, which I am going to try to see.

So, that’s the back story. Don’t you want to see the show? Street artist/kickass artist in general/community activator/helper? She’s doing wonderful things and her artwork is equally beautiful, all worthy of spending time with. There are 15 pieces in the show, most hung on the walls, but two towering over us all in the middle of the gallery floor. I won’t describe them because I don’t want to tell you what to expect, but my favorites were the ones that spoke energetic life and quiet joy, with touches of color acting as highlights, and biomorphic forms interacting with geometric ones. It’s definitely worth the visit to Contemporary Craft.

To visit Contemporary Craft, they are at a new location in the Upper Lawrenceville neighborhood on the corner of 57th and Butler Street. There are two differently abled parking spots in the front of the gallery, but more ample street parking is available on 57th Street by the playground. Admission is FREE, my lovelies! For COVID reasons, however, you need to reserve a timed ticket and wear a mask. Contemporary Craft has some great shows. I first discovered them when I initially moved to PA five years ago, at a show that featured artists and crafters who had been touched by mental health issues. Swoon/Curry also had a piece in that show, which was a marvelous surprise. They are a museum that focuses on bringing contemporary craft to the public, engaging the community, supporting artists, representing all the perspectives, and “filling in critical gaps in public education.” There is a lil studio space for the kiddos as well, because families welcome:) You can find out more about visiting Contemporary Craft here.

My next adventure in Pittsburgh will be virtual: Vanessa German’s one-woman show, hypersensitive, featured by the Pittsburgh Playwright Theatre Company. You may recall I was able to see Vanessa German’s artist talk when she came to speak at IUP when I was in grad school and she blew my mind. She opened with a monologue performance that was amazing, then proceed to amaze further with her talk. I cried. She is also socially conscious and spreads her message of love in her community by placing I love you signs throughout her neighborhood encouraging people not to shoot each other. I am very excited to see it, and if you would like to purchase tickets ($25) for her virtual performance, you can visit here. I am telling you, it. will. be. worth. it.

That is all my friends. I hope you have a wonderful weekend, and stay safe.

Vanessa German Artist Talk Performance

On Thursday, February 23, Vanessa German came to IUP to give an artist talk about her life and work as an artist.  I call it a performance as well because it was: she performed a powerful, hopeful poem to begin the talk.  It included lines like, "Jesus is the Miles to the Davis," "Everyone was made to dance," and "You are infinitely more amazing than anything you could buy in a store.  You are dope."  She went on to say that she hopes for a day when people would only be killed in battle on stage.

She asked us if we believed in the power of love, and most everyone raised their hands.  A fellow artist described love as discovering something that no one else has before, to which Vanessa said that's right and "If it's regular and ordinary, leave it."  She asked more questions like, "What can I generate?  Why did my lungs take me to this place?"  She felt when she was growing up that any idea she had was sacred, and that her ideas were as close to God as she could get.  She grew up in one of the most violent neighborhoods in Los Angeles, and believed that she would die young, so she decided that she would do whatever she wanted to do.  She said, "I knew from a very young age how to take a thing seriously," because she went to a performing arts high school with Leonardo DiCaprio and Richard Pryor's children.  She saw her classmates as professionals because she could see the work they were doing on TV.  

She calls art "misery resistance" and says it is everything that we do.  She considers herself a "citizen artist" who inhabits humanity, and she asked another question: "Who would you be as a human if no one ever oppressed you?  If no one ever put the lid on you?"  She teaches the children she works with at her Art House to "Make a decision" when working on their artwork.  She has created change for the good in many lives, and she promotes love through signs that say, "Stop Shooting--We Love You."  Some people think that the signs don't make a difference. But there are many more who do.  

Vanessa shares love and the joy of creating with her community, which she believes will be the next revolutionary leader.  She is powerful as an individual, but by building a community around love and creation, her and its power are limitless.  She said that liberty is the soul's right to breathe, beauty is a force of disruption, and that there is power in joy, and everyone deserves that.  Love is her strategy, and our citizenry, including our children, need it.  One of the children she works with asked how she makes art when she is sad, and she said, "I think the sad thought and let my hand move with color."  She also said that transforming a blank thing can transform your state of mind and to trust your instinct.

If you are anywhere near Pittsburgh or beyond and have an opportunity to see Vanessa's work, go see it!  If you have a chance to see her talk, DEFINITELY go see her!  If you have an opportunity to create something, DO IT!  MAKE A DECISION!

She ended the talk with some words that I will leave you with:

us mighty

us fly

us powerful

us brave

us love