Hello to my friends in Southern California! My collage, Butterflies Save the Day, will be featured at Las Laguna Gallery in Laguna Beach, CA this week in their Collage and Digital Madness show! Please follow them and like their page on Facebook or Google +. :) The opening reception is this Thursday, September 7 from 6:30-9:30 pm. It will be on view throughout September from 11am-5pm daily. Las Laguna Gallery has a restaurant and full bar on site, so you will be sure to have a great time! Enjoy the collages and digital madness of my colleagues!
Greetings from Summertime: Road trips and Crystal Bridges
Hallo, friends! It has been a while and I do apologize for lack of blog updates, but this one will be a twofer: a rocking road trip playlist and a review of the Crystal Bridges Museum of American Art Chihuly exhibit.
This summer I have driven back and forth between Pennsylvania and North Carolina five times, between North Carolina and Arkansas twice, and between Arkansas and Kansas City, MO twice. So you can imagine all the tunes I have listened to while enjoying all that open road and drive time. When driving by yourself for several hours at a time, jams are of the utmost importance, in addition to podcasts and audiobooks. When my mom and I travel together, we listen to the series of books by the veterinarian James Herriot. He was a vet during the 1930s and beyond in the UK, and his word selection, heart, and humor are a delight to listen to. If you like animals and laughing out loud, try All Creatures Great and Small, his first book.
As for podcasts, I have enjoyed the interviews of You Made It Weird with Pete Holmes and The Moth's stories, but I have recently discovered My Dad Wrote a Porno. It is full of funny and explicitly sexy things. Give it a listen and let me know what you think. :)
And as for rocking out, please enjoy the following:
1. Tom Sawyer-Rush
2. My Sharona-The Knack
3. Shut Up And Dance-Walk the Moon
4. Alright-John Legend
5. Sweet Dreams (Are Made of This)-Eurythmics
6. Open Road Song-Eve 6
7. Bitch Better Have My Money-Rihanna
8. Sabotage-Beastie Boys
9. Seven Nation Army-The White Stripes
10. Your Love-The Outfield
11. Take Me Away-FeFe Dobson
12. Breathing-Yellowcard
13. Intergalactic-Beastie Boys
14. Take It Off-The Donnas
15. Heartbreaker-Pat Benatar
Sure, some of it is not technically rock, but rocking is more about attitude than genre. :)
Now on to the Crystal Bridges Chihuly Exhibit: it was awesome! The variety of forms, the colors, the light, the organization of the show, everything was perfection. In addition to his glasswork, there were also drawings and paintings essential to Chihuly's process. There were also three short films on view to help the viewer gain insight into how much he pushes the material to its limits and how collaborative his studio is. There are also installations outdoors that show how much Chihuly has extended the boundaries of glasswork. I recommend going around sunset to see the glow of light and color in the glass. Also, it will be somewhat cooler. Arkansas is HOT in the summer, so wear something light and breathable. I wasn't able to see much of the Crystal Bridges permanent collection, but what I did see was varied, contemporary, and important to the history of art. If you are in the Mid-South or near it, Crystal Bridges is worth a trip for any art lover. Admission to the main museum is free thanks to WalMart, and the Chihuly exhibit is about $20.
Enjoy the road, the summer, and wherever you may travel!
Mental Health Awareness Week
Hello, all! This week is Mental Health Awareness Week, and I just wanted to say hi and let everyone know that if you need it, the National Suicide Prevention Lifeline in the USA is 1.800.273.8255. There is help! Things can change, and as I am slowly realizing, often for the better.
If someone you love or know has a mental health diagnosis, let them know that you're there for them no matter what. Emotional supports are incredibly important for recovery, and knowing that you're there means a lot.
Let's keep spreading the word that mental health is just as important as physical health! Life is a marathon; let's support each other!
Vanessa German Artist Talk Performance
On Thursday, February 23, Vanessa German came to IUP to give an artist talk about her life and work as an artist. I call it a performance as well because it was: she performed a powerful, hopeful poem to begin the talk. It included lines like, "Jesus is the Miles to the Davis," "Everyone was made to dance," and "You are infinitely more amazing than anything you could buy in a store. You are dope." She went on to say that she hopes for a day when people would only be killed in battle on stage.
She asked us if we believed in the power of love, and most everyone raised their hands. A fellow artist described love as discovering something that no one else has before, to which Vanessa said that's right and "If it's regular and ordinary, leave it." She asked more questions like, "What can I generate? Why did my lungs take me to this place?" She felt when she was growing up that any idea she had was sacred, and that her ideas were as close to God as she could get. She grew up in one of the most violent neighborhoods in Los Angeles, and believed that she would die young, so she decided that she would do whatever she wanted to do. She said, "I knew from a very young age how to take a thing seriously," because she went to a performing arts high school with Leonardo DiCaprio and Richard Pryor's children. She saw her classmates as professionals because she could see the work they were doing on TV.
She calls art "misery resistance" and says it is everything that we do. She considers herself a "citizen artist" who inhabits humanity, and she asked another question: "Who would you be as a human if no one ever oppressed you? If no one ever put the lid on you?" She teaches the children she works with at her Art House to "Make a decision" when working on their artwork. She has created change for the good in many lives, and she promotes love through signs that say, "Stop Shooting--We Love You." Some people think that the signs don't make a difference. But there are many more who do.
Vanessa shares love and the joy of creating with her community, which she believes will be the next revolutionary leader. She is powerful as an individual, but by building a community around love and creation, her and its power are limitless. She said that liberty is the soul's right to breathe, beauty is a force of disruption, and that there is power in joy, and everyone deserves that. Love is her strategy, and our citizenry, including our children, need it. One of the children she works with asked how she makes art when she is sad, and she said, "I think the sad thought and let my hand move with color." She also said that transforming a blank thing can transform your state of mind and to trust your instinct.
If you are anywhere near Pittsburgh or beyond and have an opportunity to see Vanessa's work, go see it! If you have a chance to see her talk, DEFINITELY go see her! If you have an opportunity to create something, DO IT! MAKE A DECISION!
She ended the talk with some words that I will leave you with:
us mighty
us fly
us powerful
us brave
us love
To MFA or not to MFA? (Visual Artists)
So, I was thinking about how at around this time two years ago I was preparing my materials to apply to grad schools, and I decided to write this post. I have heard mixed reviews from people about the MFA programs they have attended, and ultimately I think that it just depends on the readiness, drive, and goals of the individual and whether one's MFA program meshes with these characteristics. How to know if you are ready, though? Here is a list of questions to ask yourself:
1. Do I love to learn? If not, obviously more education is not for you.
2. Do I know who I am as a person? Am I comfortable with that? If you don't know thyself, you're gonna have a bad time.
3. Am I confident in my abilities and ideas? Critiques are an integral part of the artistic process. You will have to present your work to your peers and professors for their feedback. You will have to defend the choices that you've made to serve your ideas. So be ready to advocate for yourself, but stay open to different perspectives for the next question.
4. Can I analyze information for what is useful to me? With critiques, you receive vital feedback. With coursework and research, you will receive oodles of information. The trick is to filter out what you can apply to your work and practice, and what you cannot.
5. Am I self-disciplined enough to work diligently and independently? Typically in MFA programs, you are allowed the freedom to pursue your own ideas. You do not typically receive assignments for your studio practice, and no one is there to make sure you are working.
6. Do I want to be a professional? The MFA is the terminal degree for Visual Arts, so it qualifies you to work in a variety of institutions. It does not, however, guarantee you a job. There are many people with MFAs. One of the most vital things I have learned in my program is that you must create your own opportunities to set yourself apart from the crowd. You might just discover another career track besides teaching at a university or working in a museum.
Other vital things I have learned are for another post. ;) Happy MFA program hunting!
Book Review: Art & Fear by David Bayles & Ted Orland
Art & Fear: Observations On The Perils (and Rewards) of ARTMAKING by David Bayles & Ted Orland is for anyone who has considered making art but has been held back by insecurity, as well as anyone who has been making art for a while and needs encouragement. The questions that guided the creation of the book:
"Do artists have anything in common with each other? How do artists become artists? How do artists learn to work on their work? How can I make work that will satisfy me? Why do so many who start, quit?" (p. 114)
My favorite thing about this book is that it releases artmakers in any media--whether visual, musical, literary, etc--from comparison with giants of the past. Yes, Michelangelo was a freak genius, as was Mozart, the authors' favorite example. But does that mean we mere mortals should never sing, never paint, never write? Of course not. We should make what we want to make using our own unique perspective.
I have picked out five quotes from this book that spoke to me just to give you an impression of the treasures to be found inside Art & Fear:
1. "In a sense, habits are style. The unconsidered gesture, the repeated phrasing, the automatic selection, the characteristic reaction to subject matter and materials--these are the very things we refer to as style...Style is not an aspect of good work, it is an aspect of all work. Style is the natural consequence of habit." (p.103)
2. "If you teach, you know that you gain as much from the interchange as do your students...Teaching is part of the process of being an artist." (p.83)
3. "...each link in the arts network has a vested interest in defining its own role as fundamental and necessary." (p. 70)
4. "In making art you court the unknown, and with it the paranoia of those who fear what change might bring...Each new piece of your art enlarges our reality. The world is not yet done." (p. 68-69)
5. "The hardest part of artmaking is living your life in such a way that your work gets done, over and over--and that means, among other things, finding a host of practices that are just plain useful. A piece of art is the surface expression of a life lived within productive patterns." (p. 61)
*Bonus Quote* "When Columbus returned from the New World and proclaimed the earth was round, almost everyone else went right on believing the earth was flat. Then they died--and the next generation grew up believing the world was round. That's how people change their minds." (p. 57)
So if you would like to read a book written by artists for artists, that provides context for how art gets made and received by the world, I strongly recommend this short, sweet gem. Happy reading, and happy making!
Some winter/holiday/everyday encouragement for anyone who needs it
If you have looked through my artwork, then you have probably realized that I am affected by a mental illness. I was finally diagnosed with Major Depressive Disorder last year, and as you know from my painting, "It's an ongoing process!" Because I have recently needed to reacquaint myself with some of these coping skills, and because it is winter and holiday season, I thought I would write about the things that I do to make myself feel better.
1. SLEEP/nap/lie down in a dark room and listen to ocean waves. If you can't actually sleep, just lying down in a quiet dark room or listening to relaxing sounds without the pressure of trying to sleep can still provide some rest for your body and mind.
2. Take a long, hot shower. Just stand there or actually use soap, doesn't matter. If you have the energy, take the time to comb your hair and brush your teeth afterwards. Grooming feels good when you haven't been able to for a while, and it is something that you can control if you feel otherwise overwhelmed.
3. Journal. Write down everything that you need to get out. Don't feel pressure to do it on a regular schedule. Just use it when you need it to make sense of your thoughts, emotions, life, etc.
4. Make art. I strongly recommend getting a huge piece of paper and something to draw with, then just scribbling with no intention or purpose other than to release that energy and emotion. Also, when I was at my darkest, I realized that just setting up my work area for making anything was--and is-- a simple pleasure that I enjoy. Making anything is good for you, whether it be a to do list or a nice meal. (Side note: I make lists for everything to keep me organized and to keep me from getting overwhelmed, from grocery and to do lists to the things I need to do to finish an artwork.)
5. Talk it out. I have said many times that everyone needs therapy and improv classes. So much of living with a mental illness is learning to retrain your brain's negative thought processes and replace them with positive/more constructive ones. Talk therapy is vital for that instruction and encouragement. Talking with a close friend or family member is good, too. And in desperate situations, a crisis hotline can also be helpful.
6. Sit outside in the sunlight or go for a walk. We need our vitamin D from the sun, especially in winter. I like to hang out with my dog in my yard. She gets to bark at things, and I get to enjoy the outdoors and her barking at things. <3
7. Clean. I don't particularly enjoy cleaning, but I do take pleasure in the feeling of accomplishment that comes with it. Plus I like containing the chaos that occurs when life becomes a shitstorm and my house reflects it. Set a timer for ten minutes and you will be shocked at how much you can actually get done. Set it for longer when you feel more able. Or, just make it task oriented and set a goal to do dishes one day and a load of laundry the next.
8. MUSIC! Here is a lil playlist of a few songs that make me feel better through listening, singing, and dancing:
Ace of Base, "It's a Beautiful Life"
Phil Collins and N'Sync, "Trashin' the Camp" (Tarzan Soundtrack)
James Brown, "Get Up Offa That Thing" (Harriet the Spy Soundtrack ;))
Ricky Martin, "La Copa de la Vida/The Cup of Life"
Mary Mary, "Shackles"
Nappy Roots, "Good Day"
9. Treat yoself like Tom and Donna from "Parks and Rec." Do something just for you! Do something that you love doing! Go on a little road trip, see a movie, GET A MASSAGE! Get a milkshake or a peanut butter hot chocolate. Take a class or read a book. Dye your hair!
10. Remind yourself that you are a human being and that you are worthy. You do have value, even if you cannot see it in the current moment. Also remind yourself that nothing is permanent. Change is gonna come, and the darkness can't last forever.
Behold new content!
I have updated, dear readers! Enjoy the hot pink text and feast your eyes upon new things in almost every section! There is brand new and new-to-you work in Collage, Painting, Illustration, Sculpture, and Sketches and Fun Stuff. I have also created a Printmaking section for your viewing pleasure with prints from this summer that range from etching to lithography. Check out my About page for an actual photo of me with updated info about what I am currently doing, and feel free to contact me with any questions or comments. Thank you for visiting and viewing!
P.S. Keep your eyes peeled in December/January for new Public Art work! It's a collaboration piece...
Stay tuned!
Hi, all!
I had a busy-busy summer of drawing and printmaking and travelling, so I have lots of work to take pictures of and post here for your viewing pleasure. :) There will be a few changes to my site as I add more info and content as well, so stay tuned!
I want to be like Mireia Sentis when I grow up
This semester has been crazy. So many visiting artists, field trips, and recently, a workshop with Mireia Sentis. I loved working with her. I asked her if she thought she was successful, and she said that she didn't think she was in the traditional sense because she isn't well known, but she did think she was successful in that she has the freedom to pursue the projects that she wants to pursue. I would like to be an artist like Mireia. Someone who wears many hats and contributes to our culture in a variety of ways. She does photography, writing, publishing, producing, curating, and on and on. I can't believe I had the opportunity to work with someone of her caliber. I am so grateful for the experience. It. Was. Awesome. I'll be sure to post pictures of the painting and the zines that I created for our Words and Objectivity Show!
Whew, that was a hectic few months. Here's what's going on now.
Just started my second semester at Indiana University of Pennsylvania! I'm taking Painting, Drawing, and Graduate Studio Critique. I am excited about all of them. For painting, we have to have a binder of 70 art historical/other images that influence our work. We have to write a proposal for what we intend to accomplish through painting this semester. I recently wrote an artist statement for a show in Louisiana and in it I stated that I believe that art is a documentation of an artist's experience with and ideas of a particular time and place. So in my proposal I am going to say that I am documenting my life as it is now and as it was. Common themes will be me doing things accompanied by my dog, dating and relationships, and serious events that have shaped me into who I am. I will use a simplified, flat, yet realistic style like in the painting of Bella and me that I painted for my mom over Christmas break. I have to have 14 paintings completed by the end of the semester.
In Drawing, we have to have 10 drawings per three credit hours, so that means 20 drawings for me. I plan to continue to work on my graphic novel, my brother's graphic short story, and screen printing life events on soft storytelling objects. (Printmaking is included in the Drawing department here.)
In Graduate Studio Critique, it's all about our experiences and how our research shapes the work that we create. We're doing "field work" to gather fodder for our artistic endeavors. Everything is a possible source for inspiration. The point is to go and do and make!
It's going to be a busy semester. I can't wait to see what I make. In the Interlude between moving back for the semester and starting class, though, I did get the chance to watch Netflix's Jessica Jones and Narcos. Both are great. I will probably rewatch Jessica Jones as soon as I'm done with Narcos, which is going to take me a while longer now that school is back in session. I also watched the Tribeca Film Festival Choice Goodbye to All That on Netflix. It was great. It gave me a whole new perspective on dating. In it, Otto Wall, the main character, goes through a divorce and jumps right back into the dating pool. It's funny and genuine and good. I've watched it several times already. Now to build my watch list as I make all the art!
An Awesome Weekend in Charleston
This past weekend I was finally able to visit Charleston and see if it really is worthy of its rivalry with Savannah. I have decided that it is. However, I cannot decide if one really is better than the other. I think they are both equal members of the Best Cities to Visit group. I went with my friend Kendall, who is also artsy and travel minded.
We met in Charleston at our hotel, the Motel 6. It was the cheapest place to stay and it was about 15-20 minutes away from everything, so it wasn't too shabby. Everything was easily accessible via the highway. Bay Street Biergarten (baystreetbiergarten.com) was our first stop for dinner and drinks. We both got spaetzle with parmesan cream sauce, sauteed onions and mushrooms, and slices of fried pork belly adorning the top. It was goooooood, especially with a nice Hefeweizen to accompany it. From there we went to the Faculty Lounge, a dive bar/dance club. We both got a drink with rum in it, and boy was there rum. We chatted and drank and people watched, but no one was on the dance floor. We did leave a little early, around midnight, so that could account for no one dancing, but oh well. It was a good drink and a nice atmosphere; the bartenders were both super nice.
On Saturday morning we got up early for breakfast at IHOP and a tour of the harbor followed by a horse-drawn carriage tour. Charleston Harbor Tours and Palmetto Carriage Works were the providers (charlestonharbortours.com, check out combo tours). Each tour was great. The harbor tour is a little fuzzy because I was sleepy, but I enjoyed learning about the history of Charleston from a nautical perspective. We left the car at the harbor and walked to Palmetto Carriage Works, where we checked in for the 12:30 tour. Everything was in walking distance so we walked through the City Market (thecharlestoncitymarket.com) and by the time we saw everything it was time to go back to check in for the carriage ride.
The carriage ride was also enjoyable, our tour guide/driver was very knowledgeable and friendly. I wish I could remember his name! We drove by the harbor, through the French Quarter, down Rainbow Row, past many historical houses, and the city market, for an hour. Lots and lots of history that is all a blur to me now, but was really entertaining when we were on the tour. Also, while it was really hot in Charleston, the carriage ride was actually pretty cool due to the roof on our carriage and the famous winds and breezes that made walking around a little more tolerable in the heat. It was time for lunch, so we went to a crab place that was near the city market. I wish I could remember the name of it! I'm kicking myself for not checking in there. Anyway, I had a delicious shrimp po'boy, Kendall had a crab cake sandwich, and we had fried green tomatoes to start. Everything was great. The shrimp was fantastic. Charleston is the place to get shrimp!
After lunch, we walked back through the French Quarter to check out as many art galleries as possible. I noticed that much of the artwork could fall into these categories: landscape, seascape/nautical theme, still life, non-objective, realism, and people. Most of these galleries were like the ones that you would find anywhere, with nothing really new and unique. The last gallery we were able to go to had some interesting contemporary genre paintings that were priced at about $13,000-$15,000 dollars. The pricing for some of the work I saw was crazy and eye-opening: there's no rhyme or reason to how artwork is priced! By the time we visited our last gallery it was 5pm, and apparently many things shut down at 5pm on Saturdays in Charleston, which surprised us. We weren't able to visit Robert Lange Studios or the Halsey Institute for Contemporary Art, so possibly more cutting edge stuff would have been found there.
On our way to find some pralines for my mom, a girl stopped us to offer us samples of Italian ice, which we ended up buying, and thank goodness because it was hot! When we walked into River Street Sweets (riverstreetsweets.com) they gave us warm samples of pralines that you could just taste the butter in. I bought a pound and they threw in another half pound. They are the same company that sells pralines along River Street in Savannah, but we thought the Charleston ones tasted better.
We went back to the hotel room to regroup before going to see an improv show at Theater 99 (theatre99.com), but when we called about their ticketing procedures we found out they were sold out for that evening's show. Bummer! However, one of the gallery owners had told us about Boxcar Betty's and the Early Bird Diner, so we decided to head to Boxcar Betty's (boxcarbetty.com) for dinner. We each got a different sandwich so we could split them and share, plus an order each of fried pickled green tomatoes and fried pickles. The sandwich that I got was called the Chicken and Not So Waffle. It had Pimiento Cheese, Bacon Jam, Tomato, Maple Bacon Sauce, and Maple Syrup on it. Kendall got the Boxcar, which had Pimiento Cheese, Peach Slaw, Spicy Mayo, and Housemade Pickles. We both decided the Chicken and Not So Waffle was the best. By this time, we found out the night tour about the shady history of Charleston was also sold out, so we decided to go see "Inside Out" at a local movie theater.
The next day, we went to the Early Bird Diner for breakfast (earlybirddiner.com). There was a slight wait, but it was totally worth it. I got the shrimp and grits and Kendall got a mess of something delicious. We each got a biscuit with our meals and they were also deelish. Afterwards, we went to Folly Beach (follybeach.com). It was by far the best beach experience I have ever had. There wasn't much public parking; everyone just parked along the street. We parked a few blocks away and walked to the beach. It was HOT! Kendall and I agreed later that Portugal wasn't even as hot when we visited there in July/August 2008. We rented some chairs and an umbrella close to the water's edge and just basked in the state of being at the beach. We sat for hours just enjoying the State of Being. When we finally got into the water it was perfect: tepid, with gentle waves. The bottom was nice and sandy and shallow. We would have had to go pretty far out to be in waist deep water. We swam for a bit, then just sat in the surf and chatted. It was so lovely. We had to get out of the water when the lifeguard said there was lightning in the area, so we took that as our cue to go home. Folly Beach has now topped Oak Island as My Favorite Beach.
All in all, an Awesome Weekend in Charleston! :D
Art making and The Funk
I was thinking that I didn't have any art news to share, but then I realized that I've been making things pretty consistently for the last month or so. Mainly I've been working on my coloring book pages in between other projects. Other projects like:
1. My mom's Mother's Day present (a titmouse, a yellow finch, and a chickadee sitting on an oval branch in gray scale marker, minus the yellow for the finch)
2. The "In The Beginning" collage (so much picture prep, so many ways to create a composition!)
3. The 10x10x10 works ("Glass" and "Mountain/Orange." Making something 10x10 was really fun! I thought about making it a regular size to work with whenever I collage. Only problem is that frames aren't available in 10x10 unless they're shadow boxes, or at least that's the case at Hobby Lobby.)
4. My new digital works (I'd been wanting to make an abstract digital version of The Annunciation for months. Once I got the ball rolling with that, I decided to do two more to flex my creative muscles and have a little fun. Plus, I had found a cool image of gold and I wanted to use it more than once.)
Then, The Funk hit.
I just had this heavy feeling of gloom and doom descend upon me. I didn't feel positive about anything I needed to make: my father's day present, my mom's birthday card, my G page. None of it excited me, everything I did was bad, and my insides rebelled at the thought of working on my G page, which I think was the catalyst for the whole thing. My F page was tough to top. I left it propped up as inspiration for me to soldier on through the alphabet, but the subjects I had picked out for my G page just paled in comparison to two foxes eating fast food and French fries under a fan, with oodles of fish surrounding them. The subject of my G page was a gardening guinea pig and guinea fowl surrounded by gifts and geese. I drew the geese and gift boxes first and abandoned the project. I thought the geese looked bad, I thought the gift boxes looked bad. I decided I'd come back to it later. I needed to work on my father's day present anyway.
5. My father's day present (Two wood ducks, a male and a female, sitting on a log. Done with Sharpies and my gray scale markers, everything looked great from beginning to end. And it didn't take me long to complete. Maybe that had something to do with The Funk too. I didn't think I had long enough to finish my father's day present AND my mom's birthday card AND the G page.
6. My mom's birthday card (My mom and I in her car holding big drinks with Bella in the backseat. We all have huge smiles on our faces. It's really cute. The card turned out so well, I was finally ready to get back to that G page and get that guinea pig to garden.
7. My G page (Geese, gifts, guineas-pig and fowl, greens, garden, gloves, grass, gondola, gecko. And to make things more difficult for anyone trying to guess all the G words on the page: ground, too. I had several starts and stops. I started the gondola three times. I drew a giraffe twice, a goldfish thrice, and a gecko twice. I finally settled on the gecko. Once I started outlining to create the finished piece, I started to feel better about it. The guinea pig turned out well, as did the garden greens, and the guinea fowl look pretty perfect. My attitude really made a turnabout after I had outlined the main action. I finally felt ready to tackle the top frame with the gondola and the bottom frame with the giraffe/goldfish/gecko. Once I saw everything all together as a finished piece, I felt The Funk melt away. I propped the page up beside the F page and decided that it was actually worthy of the series and I was ready to tackle even more pages.
Lesson learned about The Funk: just power through! I had read this advice in the book I've been reading, "Creative Block: Advice and Projects from 50 Successful Artists" by Danielle Krysa, The Jealous Curator (www.thejealouscurator.com/blog/), but I just thought, wow I'm not one of those who can just work through a block like that. I had just said last week that if I wasn't feeling it, I wasn't making anything because I thought my work suffered if I tried to force myself to create. As it turns out, it's not the work that suffers, it's my inner artist who suffers from the battle with my inner critic. If I give power to my inner artist over my inner critic, then The Funk has no hold on me.
I also read about Wayne White and the documentary based on his life, "Beauty is Embarrassing" in "Creative Block" and I'm very grateful. What an inspiring artist with a life artfully led. In the book the author asks everyone which artist's life they're jealous of, and after seeing the documentary, I would have to say Wayne White. He constantly creates anything and everything that interests him, from puppets to his word paintings on landscapes. Everything is so cool and visually unique and well-crafted. He's Southern by birth and upbringing, with supportive parents, a cool artist wife, and artist kids. Most of all, his mission is to bring humor to fine art, and thank goodness. It was getting a little too serious out there. I hope that because of Wayne White's artwork and philosophy, the art world as a whole will get a little more fun and a little more open minded.
Now, it's time to reconnect with my family and self at the beach. Roadtrips are always good for renewing the spirit. Adios to The Funk!
Successful visit to IUP!
This past week I visited the Indiana University of Pennsylvania to meet the faculty, meet my classmates, and see the campus. It was a great trip! I felt like I fit in with everyone and that we were like-minded. My Drawing professor, Nate, recommended the book 'Vitamin D' to me, and when he asked my opinion I said that the blurbs about the artwork were high-brow, but the actual artwork didn't seem to reflect the lofty attributes the commentary bestowed upon it. He said that was his beef with contemporary discourse on art, and that I would find out more about that in class. What a relief that my professor believes in critical integrity and the honesty of art.
I mean, listen to this sentence: "Kaoru Arima's drawings function as transcriptions of unmediated thoughts...His deliberately amateurish execution, which resembles childlike graffiti, and his choice of inexpensive or expendable materials, like craft paper or newspaper, emphasize the modest nature of his forms. The paradox of a new microcosm evolving from such a humble medium is strongly embodied in what he calls 'shinbun-ga', or 'newspaper drawings.'" Which are exactly what they sound like. "These feature figures drawn in thin pencil lines on white areas painted first with correction fluid in the middle of a newspaper page, accompanied by an epigrammatic text written in Japanese." The craft paper/newspaper and the style of the artwork are on par with each other. Therefore the cheapness of the material emphasizes the style and execution of his images, or quality. And the critic also says that Arima's work creates a new 'microcosm' and that this in turn creates a 'paradox'. Is she trying to say that creating childlike drawings on cheap materials is creating a new schema of seeing repeating patterns in the universe at all levels? That the quality of something corresponds to the materials with which it is made at all levels of the universe? And that is supposed to be new and paradoxical? Of course, I don't know what the epigrammatic text says because there was no translation, so maybe therein lies the key. I don't know why they didn't show his cool stuff: loose lines and broad brushstrokes, colorful and gestural portraits. Anything but amateurish.
Nevertheless.
Nate liked my idea for creating a graphic novel memoir as part of my thesis. So for this summer I think I need to research graphic storytelling with Will Eisner and read as many graphic novels as possible for style. I'm also excited about working with printmaking again. Nate suggested drypoint and etching due to my line work in Burn Down the Past. I'm excited to try it. I can't wait to see what I come up with and the wonderful artwork I'm going to be making over the course of this next three years. From talking with Nate and Sue, my Painting professor, it sounds like self-direction is a key element of the program and is expected. I'm going to use this time to make as much artwork as possible and explore as many different avenues as possible. For painting, I want to focus on colors that create a positive feeling in the viewer and make them want to look at it for a long time and feel zen. Sue pointed out that zen is more the feeling of emptiness and entering the void, so I need to research Zen Buddhism this summer too.
In the meantime, I'm going to continue working on my alphabet coloring book and applying to as many jobs and scholarships as possible because this is going to take some moola!
Visual Smorgasbord in Washington DC, Chicago, and Rapid City, SD
Three weeks ago I took the train from Fayetteville, NC to Omaha, NE, then took a car to Rapid City, SD. I had two seven hour layovers in Washington DC and one four hour layover in Chicago, so I used my time to visit some area museums and galleries.
Washington DC
On my first layover in Washington DC, I visited the National Gallery of Art and attended two tours, one on the choices artists make and what they mean, and one on 19th century painting. I saw my favorite Monet painting there! -->Madame Monet and Her Son, 1875. <-- The tour regarding artist choice was not as fruitful as I had hoped, but I thoroughly enjoyed the tour through 19th century painting. The National Gallery has a lovely collection of Impressionists and Post-Impressionists, as well as Modern Art. While visiting the East Building, I ran into Modern artists such as Matisse, Picasso, and Mondrian, as well as Ernst Kirchner (I enjoyed his brushwork and color), Sol LeWitt, Jasper Johns, and Alexander Calder.
On my second layover in Washington DC, I went to the Smithsonian National Portrait Gallery, which was a bit on the dry side. I might have been tired since it was the last leg of my journey, but it didn't hold many gems for me other than its large collection of folk art and WPA paintings. I was enchanted by the WPA paintings for their slice-of-American-life imagery, heavy, sensuous forms, and wonderful use of color. The folk art had quite a bit of religious imagery which surprised me, but lent a new perspective on imagery from Revelations and the Crucifixion, as well as the Throne of God.
Chicago
On my first layover in Chicago, I had a chance to visit the Museum of Contemporary Art. They had a significant exhibition of Alexander Calder's work, which was a delight, and a large retrospective exhibition of the work of Doris Salcedo, whose work I had never seen before. She creates sculptures and installations addressing the feeling of loss due to violence. Her work was highly symbolic and abstract, and a great catalyst for thinking about my own beliefs about art and the use of personal symbols.
Rapid City
While in Rapid City, I created a small mural in their Art Alley, which is an alleyway that is open to taggers and street artists to use as their personal canvas. Justin and I painted a bunny giving a peace sign and a giant panda saying I love you in sign language. I signed it with my instagram handle and got a follower! She took a picture of the work and created her own version of it with emojis! So cool! :)
I also visited the Dahl Arts Center in downtown Rapid City. They featured an exhibition that had the creme de la creme of South Dakota artists. There was some incredible variety among the works there. I was impressed and I got some great inspiration for painting and printmaking. An artist separate from the South Dakota artists exhibition that they featured was poster artist Jay Ryan (thebirdmachine.com). His imagery, colors, and printing process were also inspirational. Imma hafta go look up some videos on YouTube and see if there are any videos on his processes.
It was a wonderful trip that was artistically and spiritually refreshing. Not only did I get to see Justin, but I also got to see some wonderful artwork to inspire and reflect upon as I start to seriously create my own work for my MFA.
Art and Technology at the Telfair Museum
Some impressive works at the Telfair Museum in Savannah. Art in New Media and Art for Folk.
Read More4th Annual National Two-Dimensional Competition Art Exhibition, Armstrong Fine Arts Gallery, Savannah GA
Last Friday was the gallery reception of the 4th Annual National 2D Competition Art Exhibition at the Armstrong Fine Arts Gallery in Savannah, GA. The reception took place on Armstrong State University's campus in their gallery. It was a wonderful little venue, and everyone was very welcoming. Upon entering the building I met Tom Cato, Department Head of Art, Music, and Theater, and Mario Incorvaia, Arts Marketing Director. They in turn introduced me to Pang-Chieh Hsu, Gallery Director. Mr. Hsu was a lovely host, introducing me to all the participating artists who were able to attend the reception, Britney Prince being one of them, among others I can't remember right now. :/ She had a Norman Rockwell-esque digital painting in the show that addressed gay rights. The work in the show was extremely diverse, ranging from ethereal photographs to modern Western paintings to vinyl floor motifs.
I had a nice surprise when I saw the bulletin board across from the gallery: the Savannah Morning News used my artwork for their cover story for the show! I also found out that my work was an Honorable Mention for being included in the show. I felt very successful indeed. :)